| CONTENTS |
|
| Harold Pinter: A
Speech of Thanks |
|
| Writing, Politics,
and Ashes to Ashes: An Interview with Harold Pinter |
Mireia Aragay |
| Early Typed Draft,
The Homecoming |
Harold Pinter |
| Spatialized
Time in Harold Pinter's Silence |
C. Clausius |
| Pinter in Russia |
Charles
Evans |
- Harold Pinter's The Comfort of Strangers:
Fathers and Sons and Other Victims
|
Christopher
Hudgins |
| Pinter Playing Pinter:
The Hothouse |
Susan
Hollis Merritt |
| Notes on a Lecture-Workshop on
Pinter's Monologue |
Margaret Rose |
| Charting Pinter's Itinerary:
Literary Allusion in A Kind of Alaska |
Lisa Tyler |
| The
Harold Pinter Archives II: A Description of the Filmscript
Materials in the Archive in the British Library |
Steven H. Gale
and Christopher Hudgins
|
| Expanding Upon Nothing: A
Slight Ache and King Lear |
Robert Cooperman |
| From London. Harold Pinter 1994-5
and 1995-6 |
Ronald Knowles |
| Production: Notes and Reviews |
Reviewed by |
| Moonlight in Hamburg |
Peter
Munder |
| Moonlight
and The Homecoming in Prague |
Susan
Hollis Merritt |
| Moonlight in
New York |
Francis
Gillen |
| Old Times in Washington |
Brian
Richardson |
| The Proust Screenplay on
BBC Radio |
Mary
Bryden |
| Betrayal in Vancouver |
Malcolm
Page |
| Landscape in London |
Robert
Gordon |
| Book Reviews |
|
| Understanding
Harold Pinter by Ronald Knowles |
William
Hutchings |
|
Conversations with Pinter, by Mel
Gussow
|
Stephanie
Moss |
| Gender
and Power in the Plays of Harold Pinter by Victor L. Khan |
Kimball
King |
| Performing
Women: Female Characters, Male Playwrights and the Modern
Stage by Gay Gibson Cima |
Kimball
King |
| Appendix:
Early Draft, The Homecoming: Amended Version |
|
| Bibliography |
|
| Harold Pinter Bibliography, 1993-1994 |
Susan Hollis Merritt |
