The Pinter Review Annual Essays 1992 - 1993
Pictures from Betrayal in Prague, 1992
Keeping the Other in Its Place: Language and Difference in The Room and The Birthday Party Marc Silverstein
Two Kinds of Alaska: Pinter and Kopit Journey Through "Another Realm"
Norman J. Meyers
Old Times and Betrayal as Rorschach Test
Robert Conklin
"...Whatever Light is Left in the Dark": Harold Pinter's Moonlight Francis Gillen
Essays: Screenplays
Harold Pinter's Death in Venice: The Comfort of Strangers Katherine H. Burkeman
Cold Comfort: Harold Pinter's The Comfort of Strangers Stephanie Tucker
Nothing to Fight for : Repression of the Romance Plot in Harold Pinter's Screenplay of The Handmaid's Tale Grace Epstein
Harold Pinter on The Trial
Just a Blody Woman: Gendered Realities in The Lover Mary Armstrong
The Metadramatic Prison of Betrayal Claudia Barnett
The Road to Basingstoke: The Birthday Party and the IRA Ronald Knowles
Production: Notes and Reviews
The Homecoming Reviewed by John F. McDiarmid
The Caretaker Reviewed by Leslie Kane
Betrayal in Prague Frantisek Frohlich
From London: Harold Pinter 1992 Ronald Knowles
Book Reviews
Katherine H. Burkman: Simon Gray: A Casebook Reviewed by William Hutchings
Harold Pinter: Ten Early Poems Reviewed by Daniel Vilmure
Bibliography of Harold Pinter 1992-1993 Susan Hollis Merritt
Amazon   Faber & Faber   Slate   Royal National Theatre   Comedie Francaise   Samuel french
Internal Links: Plays | Films | Biography | Poetry | Politics | Acting | Directing | Publications | Calendar | Links | Forum | Archive | Home
External Links: Faber and Faber | | | National Theatre | Comedie-Francaise | Gate Theatre | Ticketmaster | | Slate | Amnesty
Other Items: The Observer | Letter to the Independent | Depleted Uranium | One For The Road | No Mans Homecoming | New World Order | Degree Speech
Harold Pinter's work is represented by Judy Daish Associates Limited - and applications for all performances and uses of Harold Pinter's work (including amateur and professional stage performances, radio broadcasts, television transmissions and readings and use of extracts) need to be addressed to them in the first instance and in advance of finalizing your plans. Judy Daish Associates will then contact the Estate of Harold Pinter (Lady Antonia Fraser Pinter) if appropriate. The Estate should not be contacted directly for permissions. Please do not assume that a licence or permission will be forthcoming as there are sometimes conflicts between permission requests.
© Harold Pinter 2000 - 2012 All Rights Reserved | Disclaimer