The Pinter Review Annual Essays 2001 - 2002
A Festival of Creative Genius, Toronto, Canada, October 17 2001
 
CONTENTS  
   
Then and Now  
Harold Pinter and the "Unfashionable Theatre": An interview with Ronald Harwood Donald Freed
   
Pinter on Pinter: the Lincoln Center Interview
Mel Gussow
   
From the Pinter Archive, The British Library, London  
Draft of Landscape Harold Pinter
   
"The Shape of Things" Landscape in Draft, Text and Performance Francis Gillen
   
Landscape and Celebration, Set Designs Eileen Diss
   
Critical Perspectives  
"Oh, My True Love": The Lover in Pinter's Landscape Prapassaree T. Kramer
   
The Unhemilich Maneuver: Ashes to Ashes and the Structure of Repression Craig N. Owens
   
"You Brought It Upon Yourself": Subjectivity and Culpability in Ashes to Ashes Jessica Prinz
   
Pinter's Phenomonological Mis-en-Scene Elizabeth Sakellaridou
   
The Playwright as Director: Pinter's Oleanna Ira B. Nadel
   
Pinter in a Turkish Context Ibrahim Yerebakan
   
Production The Lincoln Center Festival  
The Lincoln Center Pinter Festival: An Overview Steve H. Gale
   
The Room and The Homecoming, set designs Eileen Diss
   
Talking About Pinter"An Introduction to the Works of Harold Pinter", by Michael Billington; "Playwrights on Pinter": Arthur Miller, Edward Albee and John Guare; "Actors on Pinter": Blythe Danner, Live Schreiber and Henry Woolf; and "Directors on Pinter" David Jones, Gari Jones and Karel Reisz Reported by Susan Hollis Merritt
   
Menace Multiplied: Harold Pinter's A Kind of Alaska and One for the Road Reviewed by Anne C. Hall
   
Monologue at Lincoln Centre Reviewed by Susan Hollis Merritt
   
The Gate Theatre's The Homecoming Reviewed by Charles Grimes
   
The Room and Celebration Performed by Almeida Theatre Reviewed by Katherine H. Burkman
   
Mountain Language and Ashes to Ashes: A Playwright/Director's Perspective Reviewed by Penelope Prentice
   
Virtual Pinter  
Virtual Pinter: Using technology to Re-member The New World Order John and Kristin Kundert-Gibbs
   
London Report  
Harold Pinter 2000 - 2001 Ronald Knowles
   
Archives  
Harold Pinter Materials in the Margaret Herrick Library at The Academy of Motion Picture Arts and Sciences Center for Motion Picture Study Steven H. Gale
   
Books  
The Pinter Ethic: The Erotic Aesthetic (2nd edition) by Penelope Prentice Reviewed by Peter V. Arcese
   
Harold Pinter and the New British Theatre by D. Keith Peacock Reviewed by Steven H. Gale
   
The Films of Harold Pinter by Steven H. Gale Reviewed by William Hutchings
   
Bibliography  
Harold Pinter Bibliography: 1999 - 2000 Susan Hollis Merritt
   
                         
Amazon   Faber & Faber   Slate   Royal National Theatre   Comedie Francaise   Ticketmaster.co.uk   Samuel french
                         
Internal Links: Plays | Films | Biography | Poetry | Politics | Acting | Directing | Publications | Calendar | Links | Forum | Archive | Home
External Links: Faber and Faber | Amazon.com | Amazon.co.uk | National Theatre | Comedie-Francaise | Gate Theatre | Ticketmaster | Auteurs.net | Slate | Amnesty
Other Items: The Observer | Letter to the Independent | Depleted Uranium | One For The Road | No Mans Homecoming | New World Order | Degree Speech
 
Harold Pinter's work is represented by Judy Daish Associates Limited - and applications for all performances and uses of Harold Pinter's work (including amateur and professional stage performances, radio broadcasts, television transmissions and readings and use of extracts) need to be addressed to them in the first instance and in advance of finalizing your plans. Judy Daish Associates will then contact the Estate of Harold Pinter (Lady Antonia Fraser Pinter) if appropriate. The Estate should not be contacted directly for permissions. Please do not assume that a licence or permission will be forthcoming as there are sometimes conflicts between permission requests.
 
© Harold Pinter 2000 - 2012 All Rights Reserved | Disclaimer
 
Ticketmaster.co.uk